Complete source information for entries that are reprinted in edited collections and contain abbreviated bibliographic information (e.g., “Ivanova” or “Bloom, Portnoy’s Complaint“) can be found in the “Edited Collections” section of this online bibliography. When available, hyperlinks are provided to the original source.
Aarons, Victoria. “Is It ‘Good-for-the-Jews or No-Good-for-the-Jews’?: Philip Roth’s Registry of Jewish Consciousness.” Shofar 19 (2000): 7-18.
—. “‘There’s no remaking reality’: Philip Roth’s Everyman and the Ironies of Body and Spirit.” Xavier Review 21.1 (2007): 116-27.
Abbott, Philip. “‘Bryan, Bryan, Bryan, Bryan’: Democratic Theory, Populism, and Philip Roth’s ‘American Trilogy.’” Canadian Review of American Studies/Revue canadienne d’études américaines 37 (2007): 431-52. Rpt. in Ivanova 89-103.
Adair, William. “Portnoy’s Complaint: A Camp Version of Notes from the Underground.” Notes on Contemporary Literature 7.3 (1977): 9-10.
Ahearn, Kerry. “‘Et In Arcadia Excrementum’: Pastoral, Kitsch, and Philip Roth’s The Great American Novel.” Aethlon 11 (1993): 1-14.
Aldama, Frederick Luis. ”Putting a Finger on That Hollow Emptiness in Roth’s Indignation.” Philip Roth Studies 7.2 (2011): 205-17.
Alexander, Edward. “Philip Roth at Century’s End.” New England Review 20 (1999): 183-90.
Allen, Brook. “Roth Reconsidered.” The New Criterion Oct. 2005: 14-22.
Alphandary, Idit. “Wrestling with the Angel and the Law, or the Critique of Identity: The Demjanjuk Trial, Operation Shylock: A Confession, and “Angel Levine.” Philip Roth Studies 4 (2008): 57-74.
Amur, G. S. “Philip Roth’s My Life as a Man: Portrait of the Artist as a Trapped Husband.” Indian Journal of American Studies 14.2 (1984): 61-66.
Anastas, Benjamin. “American Friction: Philip Roth’s History Lessons.” Bookforum Oct.-Nov. 2004: 4-7.
Anderson, Daniel Paul. “Nathan Zuckerman, Plato, and the Lost Republic of Newark.” Philip Roth Studies 5.2 (2009):165-77.
Ardolino, Frank R. “The Americanization of the Gods: Onomastics, Myth, and History in Philip Roth’s The Great American Novel.” Arete 3 (1985): 37-60.
—. “‘Hit Sign, Win Suit’: Abraham, Isaac, and the Schwabs Living over the Scoreboard in Roth’s The Great American Novel.” Studies in American Jewish Literature 8 (1989): 219-23.
Astruc, Rémi. “The Circus of Being a Man.” Shofar 19 (2000): 109-116.
Avery, Evelyn. “Roth on Malamud: From The Ghost Writer to a Post-Mortem.” Philip Roth Studies 4 (2008): 87-94.
Bailey, Peter J. “‘Why Not Tell the Truth?’: The Autobiographies of Three Fiction Writers.” Critique 32 (1991): 211-23.
Bakewell, Geoffrey W. “Philip Roth’s Oedipal Stain.” Classical and Modern Literature 24.2 (2004): 29-46.
Balbert, Peter. “Configurations of the Ego: Studies of Mailer, Roth, and Salinger.” Studies in the Novel 12 (1980): 73-81.
Bankston, Dorothy H. “Roth’s Goodbye, Columbus.” Explicator 36.2 (1978): 21-22.
Barasch, Frances K. “Faculty Images in Recent American Fiction.” College Literature 10 (1983): 28-37.
Basu, Ann. “Before the Law: Operation Shylock: A Confession.” Philip Roth Studies 8.2 (2012): 178-95.
Bauer, Daniel J. “Narratorial Games in Philip Roth’s Letting Go: Testing Grounds for a Career?” Fu Jen Studies: Literature and Linguistics 22 (1989): 53-69.
Benatov, Joseph. “Demystifying the Logic of Tamizdat: Philip Roth’s Anit-Spectacular Literary Politics.” Poetics Today 30 (2009): 107-32.
Bender, Eileen T. “Philip Roth: The Clown in the Garden.” Studies in Contemporary Satire 3 (1976): 17-30.
Berman, Marshall. “Dancing with America: Philip Roth, Writer on the Left.” New Labor Forum 9 (2001): 47-56.
Berryman, Charles. “Philip Roth: Mirrors or Desire.” Markham Review 12 (1983): 26-31.
—. “Philip Roth and Nathan Zuckerman: A Portrait of the Artist as a Young Prometheus.” Contemporary Literature 31 (1990): 177-90.
Bettelheim, Bruno. “Portnoy Psychoanalyzed.” Midstream 15 (1969): 3-10. Rpt. in Bloom, Philip Roth (1986) 25-34, and in Bloom, Philip Roth (2003) 13-22.
Bier, Jesse. “In Defense of Roth.” Etudes Anglaises 26 (1973): 49-53.
Bixler, Phyllis. “Philip Roth’s Novel, The Human Stain, and the ‘Passing’ of Mennonites into the Ameircan Mainstream.” Mennonite Life 59.4 (2004): 20 pars. 4 Sept. 2006 <http://www.bethelks.edu/mennonitelife/2004Dec/bixler.php>.
Blaga, Carmen. “Ambiguity in Philip Roth’s The Breast.” B. A. S.: British and American Studies 7 (2001): 82-91.
Bloom, James D. “For the Yankee Dead: Mukherjee, Roth, and the Diasporan Seizure of New England.” Studies in American Jewish Literature 17 (1998): 40-47.
Blues, Thomas. “Is There Life after Baseball: Philip Roth’s The Great American Novel.” American Studies 22 (1981): 71-80.
Bluestein, Gene. “Portony’s Complaint: The Jew as American.” Canadian Review of American Studies 7 (1976): 66-76.
Boddy, Kasia. ”Philip Roth’s Great Books: A Reading of The Human Stain.” The Cambridge Quarterly 39.1 (2010): 39-60.
Bowman, Diane Kim. “Flying High: The American Icarus in Morrison, Roth, and Updike.” Perspectives on Contemporary Literature 8 (1982): 10-17.
Boxwell, D. A. “Kulturkampf, Now and Then.” War, Literature, and the Arts 12 (2000): 122-36.
Brauner, David. “American Anti-Pastoral: Incontinence and Impurity in American Pastoral and The Human Stain.” Studies in American Jewish Literature 23 (2004): 67-76. Rpt. in Ivanova 195-204.
—. “Fiction as Self-Accusation: Philip Roth and the Jewish Other.” Studies in American Jewish Literature 17 (1998): 8-16.
—. “Masturbation and Its Discontents, or, Serious Relief: Freudian Comedy in Portnoy’s Complaint.” Critical Review 40 (2000): 75-90.
Brown, Russell E. “Philip Roth and Bruno Schulz.” ANQ 6 (1993): 211-14.
Brühwiler, Claudia Franziska. “Chiastic Reflections: Rash Momements in the Life of Zuckerman.” Philip Roth Studies 5.2 (2009): 227-39.
Budd, John. “Philip Roth’s Lesson from the Master.” NMAL: Notes on Modern American Literature 6 (1982): Item 21.
Budick, Emily Miller. “The Haunted House of Fiction: Ghost Writing the Holocaust.” Common Knowledge 5 (1996): 121-35.
—. “Philip Roth’s Jewish Family Marx and the Defense of Faith.” Arizona Quarterly 52 (1996): 55-70.
Bukiet, Melvin Jules. “Looking at Roth; or ‘I Always Wanted You to Admire My Hookshot.” Studies in American Jewish Literature 12 (1993): 122-25.
Byers, Michele. “Material Bodies and Performative Identities: Mona, Neil, and the Promised Land.” Philip Roth Studies 2 (2006): 102-20.
Bylund, Sarah. ”Merry Levov’s BLT Crusade: Food-Fueled Revolt in Roth’s American Pastoral.” Philip Roth Studies 6.1 (2010): 13-30.
Capo, Beth Widmaier. “Inserting the Diaphragm In(to) Modern American Fiction: Mary McCarthy, Philip Roth, and the Literature of Contraception.” Journal of American Culture 29.1 (2003): 111-23.
Carothers, James B. “Midwestern Civilization and Its Discontents: Lewis’s Carol Kennicott and Roth’s Lucy Nelson.” Midwestern Miscellany 9 (1981): 21-30.
Castle, Robert. “Unadaptable: A Fatal Problem with The Human Stain“” Bright Lights Film Journal 51 (2006): 16 pars. 15 June 2007. <http://www.brightlightsfilm.com/51/stain.htm>.
Chang, Shu-li. “Passing as Trans-racial Bonding: Philip Roth’s The Human Stain.” Tamkang Review 39.2 (2009): 105-29.
Chard-Hutchinson, Martine. “‘The Artifice of Eternity’: The Nude as Topos in Bernard Malamud’s ‘Naked Nude’ and Philip Roth’s The Dying Animal.” Philip Roth Studies 4 (2008): 29-38.
Charis-Carlson, Jeffrey. “Philip Roth’s Human Stains and Washington Pilgrimages.” Studies in American Jewish Literature 23 (2004): 104-21.
Chase, Jefferson. “Two Sons of ‘Jewish Wit’: Philip Roth and Rafael Seligmann.” Comparative Literature 53 (2001): 42-58.
Cherolis, Stephanie. “Philip Roth’s Pornographic Elegy: The Dying Animal as a Contemporary Meditation on Loss.” Philip Roth Studies 2 (2006): 13-25.
Cheuse, Alan. “A World without Realists.” Studies on the Left 4 (1964): 68-82.
Chodat, Robert. “Fictions Public and Private: On Philip Roth.” Contemporary Literature 46.4 (2005): 688-719.
Christiansen, Stian Stang. “Zuckerman versus Kliman: Boundaries between Life and Literature in the Zuckerman Novels.” Philip Roth Studies 5.2 (2009): 219-25.
Clark, William Bedford. “Abortion and the Missing Moral Center: Two Case Histories from the Post-Modern Novel.” Xavier Review 4 (1984): 70-75.
Cohen, Eileen Z. “Alex in Wonderland, or Portnoy’s Complaint.” Twentieth-Century Literature 17 (1971): 161-68.
Cohen, Joseph. “Paradise Lost, Paradise Regained: Reflections on Philip Roth’s Recent Fiction.” Studies in American Jewish Literature 8 (1989): 196-204.
Cohen, Sarah Blacher. “Philip Roth’s Would-Be Patriarchs and Their Shikses and Shrews.” Studies in American Jewish Literature 1.1 (1975): 16-22. Rpt. in Pinsker 209-216.
Colson, Dan. “Impotence and the Futility of Liberation in Portnoy’s Complaint.” Philip Roth Studies 3 (2007): 131-43.
Cooperman, Stanley. “Philip Roth: ‘Old Jacob’s Eye’ with a Squint.” Twentieth-Century Literature 19 (1973): 203-16.
Crepeau, Richard C. “Not the Cincinnati Reds: Anti-Communism in Recent Baseball Literature.” Arete 1 (1983): 87-97.
Creus, Tomás. “When Harry Met Zuckerman: Self-Reflexivity and Metafiction in Philip Roth and Woody Allen.” Ilha do Desterro: A Journal of Language and Literature 51 (2006): 265-82.
Cushman, Keith. “Looking at Philip Roth Looking at Kafka.” Yiddish 4:4 (1982): 12-31.
DaCrema, Joseph J. “Roth’s ‘Defender of the Faith.’” Explicator 39.1 (1980): 19-20.
Davidson, Arnold E. “Kafka, Rilke, and Philip Roth’s The Breast.” Notes on Contemporary Literature 5.1 (1975): 9-11.
Deer, Irving, and Harriet Deer. “Philip Roth and the Crisis in American Fiction.” Minnesota Review 6:4 (1966): 353-60.
del Ama, José Carlos. “Everybody Knows: Public Opinion in Philip Roth’s Contemporary Tragedy The Human Stain.” Philip Roth Studies 5.1 (2009): 93-110.
Dervin, Daniel A. “Breast Fantasy in Bartheleme, Swift, and Philip Roth: Creativity and Psychoanalytic Structure.” American Imago 33 (1976): 102-22.
Dickstein, Morris. “The World in a Mirror: Problems of Distance in Recent American Fiction.” Sewanee Review 89 (1981): 386-400.
Ditsky, John. “Roth, Updike, and the High Expense of Spirit.” University of Windsor Review 5.1 (1969): 111-20.
Dobozy, Tamas. “The Holocaust as Fiction: Derrida’s Demeure and the Demjanjuk Trail in Philip Roth’s Operation Shylock.” Philip Roth Studies 1 (2005): 37-52.
Donaldson, Scott . “Philip Roth: The Meanings of Letting Go.” Contemporary Literature 11 (1970): 21-35.
Dodd, Philip. “History or Fiction: Balancing Contemporary Autobiography’s Claims.” Mosaic 20 (1987): 61-69.
Douglas, Lawrence, and Alexander George. “Philip Roth’s Secret Sharer.” Gettysburg Review 10 (1997): 279-86.
Doyle, T. Douglas. “The Buck Stops Here: Brenda in Goodbye, Columbus.” Notes on Contemporary Literature 24 (1994): 2-3.
Duban, James. “Arthur Koestler and Meyer Levin: The Trivial, the Tragic, and Rationalization Post Factum in Roth’s ‘Eli the Fanatic.’” Philip Roth Studies 7.2 (2011): 171-86.
—. “Being Jewish in the Twentieth Century: The Synchronicity of Roth and Hawthorne.” Studies in American Jewish Literature 21 (2002): 1-11.
—. ”‘How to Hate, and Whom’: Ahabian Ire in Roth’s The Great American Novel and The Plot Against America.” Philip Roth Studies 6.2 (2010): 131-51.
—. “‘That Butcher, Imagination’: Arthur Koestler and the Bisociated Narration of Philip Roth’s Indignation.” Philip Roth Studies 8.2 (2012): 145-60.
—. “To Dazzle as Macbeth: Bisociated Drama in Philip Roth’s The Humbling.” Comparative Drama 46.1 (2012): 1-16.
—. ”Written, Unwritten, and Vastly Rewritten: Meyer Levin’s In Search and Philip Roth’s ‘Defender of the Faith,’ The Plot Against America, and Indignation.” Philip Roth Studies 7.1 (2011): 28-50.
Dubofsky, Melvyn. “Philip Roth’s ‘America’ and Mine.” Journal of the Historical Society 10.4 (2010): 383-414.
Dupree, Robert. “And the Mom Roth Outgrabe or, What Hath Got Roth?” Arlington Quarterly 2.4 (1970): 175-89.
Durantaye, Leland de la. ”How to Read Philip Roth, or the Ethics of Fiction and the Aesthetics of Fact.” The Cambridge Quarterly 39.4 (2010): 303-30.
Eagle, Christopher. ”‘Angry because she stutters’: Stuttering, Violence, and the Politics of Voice in American Pastoral and Sorry.” Philip Roth Studies 8.1 (2012): 17-30.
Edyvane, Derek. “The Varieties of Cultural Perception: Multiculturalism after Recognition.” European Legacy 16.6 (2011): 735-50.
Elam, Michele. “Passing in the Post-Race Era: Danzy Senna, Philip Roth, and Colson Whitehead.” African American Review 41 (2007): 749-68.
Elliot, William I. “Roth Remembered.” Eigo Seinen/Rising Generation 137.3 (1991): 136-39.
Erde, E. L. “Philip Roth’s Patrimony: Narrative and Ethnics in a Case Study.” Theoretical Medicine 16 (1995): 239-252.
Ezrahi, Sidra DeKoven, Daniel Lazare, Daphne Merkin, Morris Dickstein, and Anita Norich. “Philip Roth’s Diasporism: A Symposium.” Tikkun 8:3 (1993): 41-45, 73.
Fahy, Thomas. “Filling the Love Vessel: Women and Religion in Philip Roth’s Uncollected Short Fiction.” Shofar 19 (2000): 117-26.
Farneti, Roberto. “The Horror of Self-Reflection: The Concealment of Violence in a ‘Self-Conscious and Critical Society.’” Theory & Event 11.3 (2008): Project MUSE. 27 Sep. 2008. 14 Nov. 2008. <http://muse.jhu.edu/>.
Faisst, Julia. “‘Delusionary Thinking, Whether White or Black or in Between’: Fictions of Race in Philip Roth’s The Human Stain.” Philip Roth Studies 2 (2006): 121-37.
Field, Leslie. “Philip Roth: Days of Whine and Moses.” Studies in American Jewish Literature 5.2 (1979): 11-14.
Finney, Brian. “Roth’s Counterlife: Destabilizing the Facts.” Biography 16 (1993): 370-87.
Fishman, Sylvia Barack. “Success in Circuit Lies: Philip Roth’s Recent Explorations of American Jewish Identity.” Jewish Social Studies 3 (1997): 132-55.
Fong, Tony. ”Matrimony: Re-Conceiving the Mother in Philip Roth’s Life Writing.” Philip Roth Studies 8.1 (2012): 63-80.
Franco, Dean J. “Being Black, Being Jewish, and Knowing the Difference: Philip Roth’s The Human Stain; Or, It Depends on What the Meaning of ‘Clinton’ Is.” Studies in American Jewish Literature 23 (2004): 88-103.
—. Portnoy’s Complaint: It’s about Race, Not Sex (Even the Sex Is about Race). Prooftexts 21 (2009): 86-115.
France, Alan W. “Reconsideration: Philip Roth’s Goodbye, Columbus and the Limits of Commodity Culture.” MELUS 15:4 (1988): 83-89.
Francis, William A. “Naming in Philip Roth’s ‘Goodbye, Columbus.’” Literary Onomastics Studies 15 (1988): 59-62.
Frank, Thomas H. “The Interpretation of Limits: Doctors and Novelists in the Fiction of Philip Roth.” Journal of Popular Culture 28.4 (1995): 67-80.
Fredericksen, Brooke. “Home is Where the Text Is: Exile, Homeland, and Jewish American Writing.” Studies in American Jewish Literature 11 (1992): 36-44.
Friedman, Alan Warre. “The Jew’s Complaint in Recent American Fiction: Beyond Exodus and Still in the Wilderness.” Southern Review 8 (1972): 41-59. Rpt. in Pinsker 149-63.
Friedman, Melvin J. “Texts and Countertexts: Philip Roth Unbound.” Studies in American Jewish Literature 8 (1989): 224-30.
Freedman, Samuel G. “Philip Roth and the Great American Nightmare.” Azure 20 (2005): 33-43.
Furman, Andrew. “The Art of Reading Philip Roth.” Poets & Writers Sept.-Oct. 2006: 21-25.
—. “The Ineluctable Holocaust in the Fiction of Philip Roth.” Studies in American Jewish Literature 12 (1993): 109-212.
—. “A New ‘Other’ Emerges in American Jewish Literature: Philip Roth’s Israel Fiction.” Contemporary Literature 36 (1995): 633-53. Rpt. in Bloom, Philip Roth (2003) 145-62.
Gentry, Marshall Bruce. “Newark Maid Feminism in Philip Roth’s American Pastoral.” Shofar 19 (2000): 74-83. Rpt. in Halio and Siegel 160-71.
—. “Ventriloquists’ Conversations: The Struggle for Gender Dialogue in E. L. Doctorow and Philip Roth.” Contemporary Literature 34 (1993): 512-37.
Geraci, Ginevra. ”The Sense of an Ending: Alternative History in Philip Roth’s The Plot Against America.” Philip Roth Studies 7.2 (2011): 187-204.
Gilman, Sander L. ”The Fanatic: Philip Roth and Hanif Kureishi Confront Success.” Comparative Literature 58.2 (2006): 153-69.
Girgus, Sam B. “Between Goodbye, Columbus and Portnoy: Becoming a Man and Writer in Roth’s Feminist ‘Family Romance.’” Studies in American Jewish Literature 8 (1989): 143-53.
Gittleman, Sol. “The Pecks of Woodenton, Long Island, Thirty Years Later: Another Look at ‘Eli, the Fanatic.’” Studies in American Jewish Literature 8 (1989): 138-42.
—. “Witnessing the Holocaust in American Literature: A Note to Bonnie Lyons.” Yiddish 7:4 (1990): 36-38.
Glaser, Jennifer. “The Jew in the Canon: Reading Race and Literary History in Philip Roth’s The Human Stain.” PMLA 123 (2008): 1465-78.
Glassman, Steve. “Roth’s Goodbye, Columbus.” Explicator 44.2 (1986): 54-55.
Glenn, Susan A. “The Vogue of Jewish Self-Hatred in Post-World War II America.” Jewish Social Studies: History, Culture, Society ns 12.3 (2006): 95-136.
Goldblatt, Roy. “As Plain as the Nose on Your Face: The Nose as the Organ of Othering.” Amerikastudien/American Studies 48.4 (2003): 563-76.
—. “The Whitening of the Jews and the Changing Face of Newark.” Philip Roth Studies 2 (2006): 86-101.
Goldman, Mark F. “Books: The Jew As Lover.” National Jewish Monthly Nov. 1969: 64-67.
Gooblar, David. “‘Oh Freud do I know!’ Philip Roth, Freud, and Narrative Therapy.” Philip Roth Studies 1 (2005): 67-81.
—. “The Truth Hurts: The Ethics of Philip Roth’s ‘Autobiographical’ Books.” Journal of Modern Literature 32 (2008): 33-53.
Goodheart, Eugene. “Writing and the Unmaking of the Self.” Contemporary Literature 29 (1988): 438-53.
Gordon, Andrew. “Jewish Fathers and Sons in Spiegelman’s Maus and Roth’s Patrimony.” ImageTexT 1.1 (2004): 50 pars. 1 June 2004 <http://www.english.ufl.edu/imagetext/archives/volume1/issue1/gordon/index.html>
—. “Philip Roth’s Patrimony and Art Spiegelman’s Maus: Jewish Sons Remembering Their Fathers.” Philip Roth Studies 1 (2005): 53-66.
—. “When in Rome: Philip Roth’s Portnoy’s Complaint and Bernard Malamud’s Pictures of Fidelman.” Philip Roth Studies 4 (2008): 39-46.
Gordon, Lois G. “Portnoy’s Complaint: Coming of Age in Jersey City.” Literature and Psychology 19.3-4 (1969): 57-60.
Görg, Claudia. “Portnoy, the American Jew in Israel.” International Fiction Review 23 (1996): 59-66.
Graham, Don. “The Common Ground of Goodbye, Columbus and The Great Gatsby.” Forum 13.3 (1976): 68-71.
Graham, T. Austin. “On the Possibility of an American Holocaust: Philip Roth’s The Plot Against America.” Arizona Quarterly 63.3 (2007): 119-49.
Grausam, Daniel. ”After the Post(al).” American Literary History 23.3 (2011): 625-42.
Green, Martin. “Philip Roth.” Ploughshares 4.3 (1978): 156-68.
Greenberg, Robert M. “Transgression in the Fiction of Philip Roth.” Twentieth Century Literature 43 (1997): 487-506. Rpt. in Bloom, Philip Roth (2003) 81-100
Greenham, David. “The Concept of Irony: Jane Austen’s Emma and Philip Roth’s Sabbath’s Theater.” Philip Roth Studies 1 (2005): 163-74.
Greenstein, Michael. “Ozick, Roth, and Postmodernism.” Studies in American Jewish Literature 10 (1991): 54-64.
—. “Secular Sermons and American Accents: The Nonfiction of Bellow, Ozick, and Roth.” Shofar 20 (2001): 4-20.
Grobman, Laurie. “African Americans in Roth’s ‘Goodbye, Columbus,’ Bellow’s Mr. Sammler’s Planet, and Malamud’s The Natural.” Studies in American Jewish Literature 14 (1995): 80-89.
Gross, Barry. “American Fiction, Jewish Writers, and Black Characters: The Return of ‘The Human Negro’ in Philip Roth.” MELUS 11.2 (1984): 5-22.
—. “Seduction of the Innocent: Portnoy’s Complaint and Popular Culture.” MELUS 8.4 (1981): 81-92.
—. “Sophie Portnoy and ‘The Opossum’s Death’: American Sexism and Jewish Anti-Gentilism.” Studies in American Jewish Literature 3 (1983): 166-78.
Gross, Kenneth. “Love among the Puppets.” Raritan 17.1 (1997): 67-82.
Grossman, Joel. “‘Happy as Kings’: Philip Roth’s Men and Women.” Judaism 26.1 (1977): 7-17.
Grumberg, Karen. “Necessary Wounds and the Humiliation of Galut in Roth’s The Counterlife and Operation Shylock.” Philip Roth Studies 5.1 (2009): 35-59.
Halio, Jay L. “Special Issue on Philip Roth.” Shofar 19 (2000): 1-6.
—. “Saul Bellow and Philip Roth Visit Jerusalem.” Saul Bellow Journal 16.1 (1999): 49-56.
Harris, Charles B. “Updike and Roth: The Limits of Representationalism.” Contemporary Literature 27 (1986): 279-84.
Halkin, Hillel. “How to Read Philip Roth.” Commentary Feb. 1994: 43-48.
Harrison, Walter L. “Baseball and American Jews.” Journal of Popular Culture 15 (1981): 112-18.
Hedin, Benjamin. “A History That Never Happened: Philip Roth’s The Plot Against America.” Gettysburg Review 18.1 (2005): 93-106.
Hendley, W. Clark. “An Old Form Revitalized: Philip Roth’s Ghost Writer and the Bildungsroman.” Studies in the Novel 16 (1984): 87-100.
Hirsch, David H. “Jewish Identity and Jewish Suffering in Bellow, Malamud, and Philip Roth.” Saul Bellow Journal 8 (1989): 47-58.
Hobbs, Alex. “Family and the Renegotiation of Masculine Identity in Philip Roth’s The Plot Against America.” Journal of American Studies 46.1 (2012): 121-37.
—. ”Reading the Body in Philip Roth’s American Pastoral.” Philip Roth Studies 6.1 (2010): 69-83.
Hochman, Baruch. “Child and Man in Philip Roth.” Midstream 13 (1967): 68-76.
Hogan, Monika. “‘Something so Visceral in with the Rhetorical’: Race, Hypochondria, and the Un-Assimilated Body in American Pastoral.” Studies in American Jewish Literature 23 (2004): 1-14.
Hou, Chien. “Portnoy’s Complaint: The Scatological Consciousness.” ASA ROC Newsletter 9 (1984): 10-19.
Howe, Irving. “Philip Roth Reconsidered.” Commentary Dec. 1972: 69-77. Rpt. in Pinsker 229-44, and in Bloom, Philip Roth (1986) 71-88.
Hunter, T. Willard. “Philip Roth’s Lindbergh: Not Who’s Right but What’s Right.” Vital Speeches of the Day 71 (2005): 409-12.
Hutchison, Anthony. “‘Purity is Petrefaction’: Liberalism and Betrayal in Philip Roth’s I Married a Communist.” Rethinking History 9.2/3 (2005): 315-27.
Iannone, Carol. “Jewish Fathers and Sons and Daughters.” The American Scholar 67 (1998): 131-138.
Ireland, G. W. “The Voice of Philip Roth.” Queen’s Quarterly 87 (1980): 286-92.
Isaac, Dan. “In Defense of Philip Roth.” Chicago Review 17 (1964): 84-96. Rpt. in Pinsker 182-93.
Israel, Charles M. “The Fractured Hero of Roth’s ‘Goodbye, Columbus.’” Critique 16 (1974): 5-11.
Ivanova, Velichka. ”My Own Foe from the Other Gender: (Mis)representing Women in The Dying Animal.” Philip Roth Studies 8.1 (2012): 31-44.
—. ”Pursuing the Ghost of Personal History.” Philip Roth Studies 5.2 (2009): 205-18.
Jacobi, Martin J. ”Rhetoric and Fascism in Jack London’s The Iron Heel, Sinclair Lewis’s It Can’t Happen Here, and Philip Roth’s The Plot Against America.” Philip Roth Studies 6.1 (2010): 85-102.
Jaffe-Foger, Miriam. “Black-Jewish Doubling in The Tenants and The Human Stain.” Philip Roth Studies 4 (2008): 47-56.
Jaffe-Foger, Miriam, and Aimee Pozorski. ”‘[A]nything but fragile and yielding’: Women in Roth’s Recent Tetralogy.” Philip Roth Studies 8.1. (2012): 81-94.
Johnson, Gary. “The Presence of Allegory: The Case of Philip Roth’s American Pastoral.” Narrative 12.3 (2004): 233-48. Rpt. in Ivanova 153-63.
Jones, E. Michael. “Mock Messiah: Jewish Humor and Cultural Subversion.” Culture Wars Jan. 2004: 20-41.
Jones, Judith Paterson. “Roth’s America: A Journey ‘On the Air.’” Notes on Contemporary Literature 11 (1981): 7-9.
Kahane, Claire. “Gender and Patrimony: Mourning the Dead Father.” Differences 9 (1997): 49-67.
Kamenetz, Rodger. “‘The Hocker, Misnomer . . . Love/Dad’: Philip Roth’s Patrimony.” The Southern Review 27 (1991): 937-45.
Kaminsky, Alice R. “Philip Roth’s Professor Kepesh and the ‘Reality Principle.” Denver Quarterly 13.2 (1978): 41-54.
Kaminsky, Inbar. “Jewish Mischief in the Land of Pranks: The Mistranslation of Philip Roth’s Operation Shylock into Hebrew.” Philip Roth Studies 8.2 (2012): 197-208.
Kanowski, Sarah. “Roth and America.” HEAT 7 (2004): 119-32.
Kaplan, Brett Ashley. “Anatole Broyard’s Human Stain: Performing Postracial Consciousness.” Philip Roth Studies 1 (2005): 125-44.
Kauvar, Elaine M. “This Doubly Reflected Communication: Philip Roth’s ‘Autobiographies.’” Contemporary Literature 36 (1995): 412-46.
Kellman, Steven G. “It Is Happening Here: The Plot Against America and the Political Moment.” Philip Roth Studies 4.2 (2008): 113-23.
—. “Philip Roth’s Ghost Writer.” Comparative Literature Studies 21 (1984): 175-85.
—. “Reading Himself and Kafka: The Apprenticeship of Philip Roth.” Newsletter of the Kafka Society of America 6:1-2 (1982): 25-33.
Kelleter, Frank. “Portrait of the Sexist as a Dying Man: Death, Ideology, and the Erotic in Philip Roth’s Sabbath’s Theater.” Contemporary Literature 39 (1998): 262-302. Rpt. in Bloom, Philip Roth (2003) 163-98.
Kelly, Adam. ”Imagining Tragedy: Philip Roth’s The Human Stain.” Philip Roth Studies 6.2 (2010): 189-205.
—. ”Moments of Decision in Contemporary American Fiction: Roth, Auster, Eugenides.” Critique 51.4 (2010): 313-32.
Kirby, Lisa A. “Shades of Passing: Teaching and Interrogating Identity in Roth’s The Human Stain and Fitzgerald’s The Great Gatsby.” Philip Roth Studies 2 (2006): 151-60.
Klein, Scott W. “Nathan Zuckerman as Irish Jew: James Joyce, National Difference, and Roth’s The Counterlife.” Philip Roth Studies 4.2 (2008): 153-69.
Kliman, Bernice W. “Names in Portnoy’s Complaint.” Critique 14.3 (1973): 16-24.
—. “Women in Roth’s Fiction.” Nassau Review 3.4 (1978): 75-88.
Klinkowitz, Jerry. “Philip Roth’s Anti-Baseball Novel.” Western Humanities Review 47 (1993): 30-40.
Knopp, Josephine Z. “The Ways of Mentshlekhkayt: A Study of Morality in Some Fiction of Bernard Malamud and Philip Roth.” Tradition: A Journal of Orthodox Jewish Thought 13.3 (1973): 67-84.
Kolich, Augustus M. “Does Fiction Have to Be Made Better Than Life?” Modern Fiction Studies 29 (1983): 159-74.
Kral, Françoise. “F(r)ictions of Identity in The Human Stain.” Philip Roth Studies 2 (2006): 47-55.
Kremer, S. Lillian. “Mentoring American Jews in Fiction by Bernard Malamud.” Philip Roth Studies 4 (2008): 5-18.
—. “Philip Roth’s Self-Reflexive Fiction.” Modern Language Studies 28.3 (1998): 56-72.
Kutlu, Filiz. “Philip Roth’s Goodbye, Columbus: Neil’s Farewell to the American Dream.” Interactions: Ege University Journal of British and American Studies/Ege Üniversitesi Ingiliz ve Amerikan Icelemeleri Dergisi 17.2 (2008): 57-64.
Laing, Jeffrey M. “Contemporary Baseball Fiction and the American Consciousness.” Notes on Contemporary Literature 21.4 (1991): 10-12.
Lainoff, Seymor. “Prison as Metaphor in the Fiction of Malamud, Singer, and Roth.” Yiddish 11.3-4 (1999): 64-69.
Landais, Clotilde. “Nathan Zuckerman: Between the Sacred Fount and the Ivory Tower, or the Fall of the Artist as a Hero.” Philip Roth Studies 5.2 (2009): 241-49.
Landis, Joseph. “The Sadness of Philip Roth: An Interim Report.” Massachusetts Review 3 (1962): 259-68. Rpt. in Pinsker 164-71.
Larson, Anthony T. “On the Uses and Abuses of Terror for Life: Terror and the Literary Critic.” Parallax 9.1 (2003): 48-57.
Lavine, Steven David. “The Degradations of Erotic Life: Portnoy’s Complaint Reconsidered.” Michigan Academician 11 (1979): 357-62.
Leder, Priscilla. “In the Sight of God: Religious Illumination in Short Stories by Flannery O’Connor, Philip Roth, and Alice Walker.” Louisiana English Journal, New Series 1 (1994): 76-79
Lee, Judith Yaross. “Flights of Fancy.” Chicago Review 31.4 (1980): 46-52.
Lee, Soo-Hyun. “Bellow, Malamud, Roth: Jewish Consciousness of the Self and Humanism.” Journal of English Language and Literature 36 (1990): 515-35.
—. “Jewish Self-Consciousness in Portnoy’s Complaint.” Journal of English Language and Literature 29 (1983): 83-114.
Leer, Norman. “Escape and Confrontation in the Short Fiction of Philip Roth.” Christian Scholar 49 (1966): 132-46.
Lehmann, Sophia. “‘And Here (Their) Troubles Began’: The Legacy of the Holocaust in the Writings of Cynthia Ozick, Art Spiegelman, and Philip Roth.” CLIO: A Journal of Literature, History, and the Philosophy of History 28 (1998): 29-52.
—. “Exodus and Homeland: The Representation of Israel in Saul Bellow’s To Jerusalem and Back and Philip Roth’s Operation Shylock.” Religion and Literature 30 (1998): 77-96.
Levine, Andrea. “Embodying Jewishness at the Millennium.” Shofar 30.1 (2011): 31-52.
Levine, Herschel. “Two Early Stories by Philip Roth.” Kyushu American Literature 15 (1974): 20-24.
Levine, Howard B. “Mortal Combat: The Tragic Vision of Philip Roth.” Journal of the American Psychoanalytic Association. 56 (2008): 283-93.
Levine, Mordecai H. “Philip Roth and American Judaism.” College Language Association Journal 14 (1970): 163-70.
Levy, Ellen. “Is Zuckerman Dead? Countertexts in Philip Roth’s The Counterlife.” Caliban 29 (1992): 121-131.
Levy, Paule. “The Text as Homeland: A Reading of Philip Roth’s The Counterlife and Operation Shylock. Studies in American Jewish Literature 21 (2002): 61-71.
Lewis, Cherie S. “Philip Roth on the Screen.” Studies in American Jewish Literature 8 (1989): 204-11.
Lichtenstein, Gene. “A Writer’s Journey: (A Literary Essay and, in Part, a Memoir).” Jewish Social Studies 3 (1997): 156-76.
Loomis, Taylor. “Nathan Zuckerman: The Tantalized and Tantalizing Hero of History.” Philip Roth Studies 5.2 (2009): 179-88.
Louis, Ansu, and Gurumurthy Neelakantan. ”Two Versions of Oedipus and Philip Roth’s The Human Stain.” Philip Roth Studies 6.2 (2010): 167-87.
Lyons, Bonnie. “Bellowmalamudroth and the American Jewish Genre – Alive and Well.” Studies in American Jewish Literature 5.2 (1979): 8-10.
—. “‘Jews on the Brain’ in ‘Wrathful Philippics.’” Studies in American Jewish Literature 8 (1989): 186-95.
MacArthur, Kathleen L. “Shattering the American Pastoral: Philip Roth’s Vision of Trauma and the American Dream.” Studies in American Jewish Literature 23 (2004): 15-26.
Macleod, Norman. “A Note on Philip Roth’s ‘Goodbye, Columbus’ and Fitzgerald’s The Great Gatsby.” International Fiction Review 12 (1985): 104-107.
Madigan, Andrew J. “The Creation of Philip Roth (The Breast).” Notes on Contemporary Literature 29.3 (1999): 10-12.
Malin, Irving. “Looking at Roth’s Kafka; or Some Hints about Comedy.” Studies in Short Fiction 14 (1977): 273-75.
Mandel, Ann. “Useful Fictions: Legends of the Self in Roth, Blaise, Kroetsch, and Nowlan.” Ontario Review 3 (1975): 26-32.
Maslan, Mark. “The Faking of the Americans: Passing, Trauma, and National Identity in Philip Roth’s Human Stain.” Modern Language Quarterly 66.3 (2005): 365-89.
Mathews, Peter. “The Pornography of Destruction: Performing Annihiliation inThe Dying Animal.“ Philip Roth Studies 3 (2007): 44-55.
Maurer, Yael. ”‘If I didn’t see it with my own eyes, I’d think I was having a hallucination’: Re-Imagining Jewish History in Philip Roth’s The Plot Against America.” Philip Roth Studies 7.1 (2011): 51-63.
McCann, Sean. “Training and Vision: Roth, DeLillo, Banks, Peck, and the Postmodern Aesthetics of Vocation.” Twentieth Century Literature 53 (2007): 298-326.
McDonald, Brian. “‘The Real American Crazy Shit’: On Adamism and Democratic Individuality in American Pastoral.” Studies in American Jewish Literature 23 (2004): 27-40.
McDonald, Paul. “American Paleface and Redskin Humor.” Australian Journal of Comedy 5.1 (1999): 7-25.
—. “The ‘Unmaning’ Word: Language, Masculinity, and Political Correctness in the Work of David Mamet and Philip Roth.” Journal of American Studies of Turkey 7 (1998): 23-30.
McLoughlin, Kate. “‘Dispute Incarnate’: Philip Roth’s Operation Shylock, the Demjanjuk Trial, and Eyewitness Testimony.” Philip Roth Studies 3 (2007): 115-30.
McQuade, Molly. “A Fan’s Index to Portnoy’s Complaint.” TriQuarterly 126 (2006): 150-61.
Medin, Daniel L. “Liebliche Lüge?: Philip Roth’s ‘Looking at Kafka.’” Comparative Literature Studies 44 (2007): 38-50.
—. “Trials and Errors at the Turn of the Millennium: On The Human Stain and J. M. Coetzee’s Disgrace.” Philip Roth Studies 1 (2005): 82-92.
Medjuck, Sheva. “From Self-Sacrificing Jewish Mother to Self-Centered Jewish Princess: Is This How Far We’ve Come?” Atlantis: A Women’s Studies Journal 14 (1988): 90.97.
Mehlman, Jeffrey. “Against France: An American Novelistic Fantasy.” Diogenes 51.3 (2004): 121-32.
Mellard, James M. “Death, Mourning, and Besse’s Ghost: From Philip Roth’s The Facts to Sabbath’s Theater.” Shofar 19 (2000): 66-73. Rpt. in Halio and Siegel 115-24.
—. “Gifts Reserved for Age: A Lacanian Study of Comedy in Philip Roth’s Exit Ghost.” Acta Scientiarum. Language and Culture. 32.1 (2010): 7-20. Rpt. as ”"To Endure and Go On”: Comedy, Castration, and Phallus in Philip Roth’s Exit Ghost,” in Siegel and Halio 229-54.
Mesher, D. “Swing and a Myth: Shoeless Joe Jackson in Fiction.” San Jose Studies 18.3 (1992): 44-55.
Michaels, Walter Benn. “Plots Against America: Neoliberalism and Antiracism.” American Literary History 18 (2006): 288-302.
Michel, Pierre. “‘On the Air’: Philip Roth’s Arid World.” Etudes Anglaises 29 (1976): 556-60.
—. “Philip Roth’s The Breast: Reality Adulterated and the Plight of the Writer.” Dutch Quarterly Review of Anglo-American Letters 5 (1975): 245-52.
—. “Philip Roth’s Reductive Lens: From ‘On the Air’ to My Life as a Man.” Revue des Langues Vivantes 42 (1976): 509-19.
—. “Portnoy’s Complaint and Philip Roth’s Complexities.” Dutch Quarterly Review of Anglo-American Letters 4 (1974): 1-10.
—. “What Price Misanthropy? Philip Roth’s Fiction.” English Studies 58 (1977): 232-39.
Mikkonen, Kai. “The Metamorphosed Parodical Body in Philip Roth’s The Breast.” Critique 41 (1999): 13-44.
Miller, M. C. “Winnicott Unbound: The Fiction of Philip Roth and the Sharing of Potential Space.” International Review of Psycho-analysis 19 (1992): 445-456.
Miller, Nancy K. “Autobiographical Deaths.” The Massachusetts Review 33 (1992): 19-47.
—. “Facts, Pacts, Acts.” Profession (1992): 10-14.
—. ”Starting Out in the Fifties: Grace Paley, Philip Roth, and the Making of a Literary Career.” Contemporary Women’s Writing 3.2 (2009): 135-42.
Mintz, Lawrence E. “Devil and Angel: Philip Roth’s Humor.” Studies in American Jewish Literature 8 (1989): 154-67.
Monaghan, David. “The Great American Novel and My Life As a Man: An Assessment of Philip Roth’s Achievement.” International Fiction Review 2 (1975): 113-20.
Moraru, Christian. “Corpo-Realities: Philip Roth, Joseph McElroy, and the Posthuman Imaginary.” Euresis 1-2 (1996): 238-42.
—. “Intertextual Bodies: Three Steps on the Ladder of Posthumanity.” Intertexts 5 (2001): 46-60.
Morley, Catherine. “Bardic Aspirations: Philip Roth’s Epic of America.” English 57 (2008): 171-98.
—. “Memories of the Lindbergh Administration: Plotting, Genre, and the Splitting of the Self in The Plot Against America.” Philip Roth Studies 4.2 (2008): 137-52.
Mudrick, Marvin. “Who Killed Herzog? or Three American Novelists.” University of Denver Quarterly 1 (1966): 61-97.
Murphy, J. Stephen. ”Revision as a ‘Living Affair’ in Henry James’s New York Edition.” The Henry James Review 29 (2008): 163-80.
Murray, Brian. “When He Was Good.” Chronicles: A Magazine of American Culture 10 (1986): 32-34.
Nash, Charles C. “From West Egg to Short Hills: The Decline of the Pastoral Ideal from The Great Gatsby to Philip Roth’s ‘Goodbye, Columbus.’” Publications of the Missouri Philological Association 13 (1988): 22-27.
Neelakantan, G. “Monster in Newark: Philip Roth’s Apocalypse in American Pastoral.” Studies in American Jewish Literature 23 (2004): 55-66.
—. “Secrecy and Self-Invention: Philip Roth’s Postmodern Identity in The Human Stain.” International Fiction Review 34 (2007): 27-39.
—. “Textualizing the Self: Adultery, Blatant Fictions, and Jewishness in Philip Roth’s Deception.” Shofar 19 (2000): 40-47. Rpt. in Halio and Siegel 58-67.
Neelakantan, G., and Ansu Luis. “Philip Roth’s Quarrel with Realism in American Pastoral.” Notes on Contemporary Literature, 38.2 (2008): 4-6.
Neelakantan, Gurumurthy. “Philip Roth’s Nostaligia for the Yiddishkayt and the New Deal Idealisms in The Plot Against America.” Philip Roth Studies 4.2 (2008): 125-36.
Newlin, James. “Living on the Edge: Deconstruction, the Limits of Readability, and Philip Roth’s The Counterlife.” Philip Roth Studies 8.2 (2012): 161-77.
Newman, Herta. “Philip Roth’s Return in The Plot Against America.” May-June 2005: 20-22.
Nicosia, Laura. “The Essential If/Then: Nathan Zuckerman as Flawed Liberal Ironist in Philip Roth’s The Counterlife.” Readerly/Writerly Texts 11.1/2 and 12.1/2 (2006): 119-32.
Nilsen, Don L. F. “Humorous Contemporary Jewish-American Authors: An Overview of the Criticism.” MELUS 21.4 (1996): 71-101.
Nilsen, Helge Normann. “On Love and Identity: Neil Klugman’s Quest in ‘Goodbye, Columbus.’” English Studies 68 (1987): 79-88.
—. “The Protest of a Jewish-American Writer and Son: Philip Roth’s Zuckerman Novels.” Dutch Quarterly Review of Anglo-American Letters 17 (1987): 38-52.
—. “Rebellion Against Jewishness: Portnoy’s Complaint.” English Studies 65 (1984): 495-503. Rpt. in Bloom, Portnoy’s Complaint 61-71.
—. “A Struggle for Identity: Neil Klugman’s Quest in ‘Goodbye, Columbus.’” The International Fiction Review 12 (1985): 97-101.
Noble, Donald R. “Dickinson to Roth.” American Notes and Queries 9 (1971): 150-51.
Noguchi, Rei R. “Talking and Meaning in Dialogue: The Semantic Significance of Sociolinguistic Codes.” Journal of Literary Semantics 13.2 (1984): 109-24.
Nurnberg, Alexander. “‘I, Philip’: Late Roth.” Areté 16 (2004): 129-42.
Oakes, Randy W. “Faces of the Master in Roth’s The Ghost Writer.” NMAL: Notes on Modern American Literature 8 (1984): Item 11.
O’Donnell, Patrick. “The Disappearing Text: Philip Roth’s The Ghost Writer.” Contemporary Literature 24 (1983): 365-78.
O’Donoghue, Gerard. ”Philip Roth’s Hebrew School.” Philip Roth Studies 6.2 (2010): 153-66.
Ogden, Benjamin H. “Formal Antagonisms: How Philip Roth Writes Nathan Zuckerman.” Studies in American Fiction 39.1 (2012): 87-101.
Omer-Sherman, Ranen. “Everyman.” Philip Roth Studies 2 (2006): 161-65.
Oostrum, Duco van. “A Postholocaust Jewish House of Fiction: Anne Frank’s Het Achterhuis (The Diary of a Young Girl) in Philip Roth’s The Ghost Writer.” Yiddish 9.3-4 (1994): 61-75.
Opland, J. “In Defense of Philip Roth.” Theoria 42 (1974): 29-42.
Oster, Judith. “See(k)ing the Self: Mirror and Mirroring in Bicultural Texts.” MELUS 23.4 (1998): 59-83.
Parrish, Timothy L. “The End of Identity: Philip Roth’s American Pastoral.” Shofar 19 (2000): 84-99. Rpt. in Halio and Siegel 131-50.
—. “Imagining Jews in Philip Roth’s Operation Shylock.” Contemporary Literature 40 (1999): 575-602. Rpt. in Bloom, Philip Roth (2003) 119-43.
—. “Philip Roth. The Plot Against America.” Philip Roth Studies 1 (2005): 93-101.
—. “Ralph Ellison: The Invisible Man in Philip Roth’s The Human Stain.” Contemporary Literature 45 (2004): 421-459.
Peeler, Nicole. ”The Woman of Ressentiment in When She Was Good.” Philip Roth Studies 6.1 (2010): 31-45.
Pinsker, Sanford. “Art As Excess: The ‘Voices’ of Charlie Parker and Philip Roth.” Partisan Review 69.1 (2002): 58-67.
—. “Climbing over the Ethnic Fence: Reflections on Stanley Crouch and Philip Roth.” Virginia Quarterly Review 78 (2002): 472-80.
—. “The Facts, the ‘Unvarnished Truth,’ and the Fictions of Philip Roth.” Studies in American Jewish Literature 11 (1992): 108-17.
—. “Guilt as Comic Idea: Franz Kafka and the Postures of American-Jewish Writing.” Journal of Modern Literature 6 (1977): 466-71.
—. “Imagination on the Ropes.” The Georgia Review 37 (1983): 880-88.
—. “Imagining American Reality.” The Southern Review 29 (1993): 767-81.
—. “Jewish-American Literature’s Lost-and-Found Department: How Philip Roth and Cynthia Ozick Reimagine Their Significant Dead.” Modern Fiction Studies 35 (1989): 223-35.
—. “Reading Faces/Reading Culture, or How I Brooded about Three Writerly Photographs.” Virginia Quarterly Review 73 (1997): 432-445.
—. “Reading Philip Roth Reading Philip Roth.” Studies in American Jewish Literature 3.2 (1977-78): 14-18.
—. “Satire, Social Realism, and Moral Seriousness.” Studies in American Jewish Literature 11 (1992): 182-94.
—. “The Tortoise and the Hare; Or, Philip Roth, Cynthia Ozick, and the Vagaries of Fiction Writing.” Virginia Quarterly Review 81 (2005): 214-24.
Podhoretz, Norman. “The Adventures of Philip Roth.” Commentary 106.4 (1998): 25-36.
Posnock, Ross. “All’s Well That Ends.” Raritan 26.1 (2006): 51-63.
—. “Letting Go.” Raritan 23.4 (2004): 1-19.
—. “Purity and Danger: On Philip Roth.” Raritan 21.2 (2001): 85-103.
Pozorski, Aimee. “American Pastoral and the Traumatic Ideals of Democracy.” Philip Roth Studies 5.1 (2009): 75-92. Rpt. in Ivanova 33-45.
—. “Transnational Trauma and ‘the mockery of Armageddon’: The Dying Animal in the New Millennium.” Studies in American Jewish Literature 23 (2004): 122-34.
Pugh, Thomas. “Why Is Everybody Laughin? Roth, Coover, and Meta-Comic Narrative.” Critique 35 (1994): 67-80.
Quart, Barbara Koenig. “The Rapacity of One Nearly Buried Alive.” The Massachusetts Review 24 (1983): 590-608.
Raban, Jonathan. “The New Philip Roth.” Novel 2 (1969): 153-63.
Radu-Cucu, Sorin. “‘The Spirit of the Common Man’: Populism and the Rhetoric of Betrayal in Philip Roth’s I Married a Communist.” Philip Roth Studies 4.2 (2008): 171-86.
Railton, Ben. ”Novelists-Narrators of the American Dream: The (Meta-)Realistic Chronicles of Cather, Fitzgerald, Roth, and Díaz. American Literary Realism 43.2 (2011): 133-53. Rpt. in Ivanova 139-51.
Ramon, Donavan L. “‘You’re neither one thing (n)or the other’: Nella Larsen, Philip Roth, and the Passing Trope.” Philip Roth Studies 8.1 (2012): 45-61.
Rand, Naomi R. “Surviving What Haunts You: The Art of Invisibility in Ceremony, The Ghost Writer, and Beloved.” MELUS 20.3 (1995): 21-32.
Rajec, Elizabeth M. “Kafka and Philip Roth: Their Use of Literary Onomastics (Based on The Professor of Desire).” Literary Onomastics Studies 7 (1980): 69-86.
Rankine, Patrice D. “Passing as Tragedy: Philip Roth’s The Human Stain, the Oedipus Myth, and the Self-Made Man.” Critique 47 (2005): 101-12.
Ravits, Martha A. “The Jewish Mother: Comedy and Controversy in American Popular Culture.” MELUS 25.1 (2000): 3-31. Rpt. in Bloom, Portnoy’s Complaint 163-87.
Ravvin, Norman. “Strange Presences on the Family Tree: The Unacknowldged Literary Father in Philip Roth’s The Prague Orgy.” English Studies in Canada 17 (1991): 197-207.
Rice, Julian C. “Philip Roth’s The Breast: Cutting the Freudian Cord.” Studies in Contemporary Satire 3 (1976): 9-16.
Roberts, Nora Ruth. “Bobbie Ann Mason and Philip Roth: Two Great-American-Novel Concepts Pieced in One Big Picture.” Shofar 19 (2000): 100-108.
Rodgers, Bernard F., Jr. “The Great American Novel and ‘The Great American Joke.’” Critique 16.2 (1974): 12-29.
—. “Shattered Dreams.” The World & I Oct. 1997: 240-49.
Rodgers, Bernard F., Jr., and Derek Parker Royal, eds. “Grave Commentary: A Roundtable Discussion on Everyman.” Philip Roth Studies 3 (2007): 3-25. (A transcript of the roundtable discussion held at the 2006 American Literature Association Conference with participants David Brauner, Bernard F. Rodgers, Jr., Derek Parker Royal, Mark Shechner, and Debra Shostak.)
Rodwan, John G., Jr. ”The Fighting Life: Boxing and Identity in Novels by Philip Roth and Norman Mailer.” Philip Roth Studies 7.1 (2011): 83-96.
Rogoff, Jay. “Philip Roth’s Master Fictions.” The Southern Review 45.3 (2009): 497-515.
Roskolenko, Harry. “Portrait of the Artist as a Young Schmuck.” Quadrant 64 (1970): 25-30.
Roth, David S. “‘The Conversion of the Jews’: What Hath Mother Wrought?” Bulletin of the West Virginia Association of College English Teachers 3.2 (1976): 39-42.
Roth, Zoë. ”Against Representation: Death, Desire, and Art in Philip Roth’s The Dying Animal.” Philip Roth Studies 8.1 (2012): 95-100.
Rothberg, Michael. “Against Zero-Sum Logic: A Response to Walter Benn Michaels.” American Literary History 18 (2006): 303-11.
Royal, Derek Parker. ”The Blood before the Stain: An Interview with Joel Rapp.” Philip Roth Studies 2 (2006): 3-11.
—, ed. “Contemporary American Fiction and the Confluence of Don DeLillo, Cormac McCarthy, Toni Morrison, Philip Roth, and John Updike: A Roundtable Discussion.” Philip Roth Studies 7.2 (2011): 145-69.
—. “Critical Unmoorings: An Introduction to Philip Roth Studies.” Philip Roth Studies 1 (2005): 4-6.
—. “Fictional Realms of Possibility: Reimagining the Ethnic Subject in Philip Roth’s American Pastoral.” Studies in American Jewish Literature 20 (2001): 1-16. Rpt. in Ivanova 47-59.
—. “Framing the Cusp of Celebrity: Bob Peterson’s 1968 Photographs of Philip Roth.” Philip Roth Studies 7.2 (2011): 121-44.
—. “Plotting the Frames of Subjectivity: Identity, Death, and Narrative in Philip Roth’s The Human Stain.” Contemporary Literature 47 (2006): 114-40.
—. “Philip Roth’s America.” Studies in American Jewish Literature 23 (2004): ix-xii.
—. “Postmodern Jewish Identity in Philip Roth’s The Counterlife.” Modern Fiction Studies 48 (2002): 422-43.
—. “Texts, Lives, and Bellybuttons: Philip Roth’s Operation Shylock and the Renegotiation of Subjectivity.” Shofar 19 (2000): 48-65. Rpt. in Halio and Siegel 68-91.
—. “What to Make of Roth’s Indignation; Or, Serious in the Fifties.” Philip Roth Studies 5.1 (2009): 129-37.
—, ed. “Zuckerman Unsound?: A Roundtable Discussion on Philip Roth’s Exit Ghost.” Philip Roth Studies 5.1 (2009): 7-34. (A transcript of the roundtable discussion held at the 2008 American Literature Association Conference with participants Alan Cooper, Bernard F. Rodgers, Jr., Michael Rothberg, Derek Parker Royal, Debra Shostak, and Ruth Knafo Setton.)
Rubin, Derek. “Philip Roth and Nathan Zuckerman: Offences of the Imagination.” Dutch Quarterly Review of Anglo-American Letters 13 (1983): 42-54.
Rubin-Dorsky, Jeffrey. “Honor Thy Rather.” Raritan 11 (1992): 137-45.
—. “Philip Roth and American Jewish Identity: The Question of Authenticity.” American Literary History 13 (2001): 79-107. Rpt. in Bloom, Philip Roth (2003) 205-32.
—. “Philip Roth’s The Ghost Writer: Literary Heritage and Jewish Irreverence.” Studies in American Jewish Literature 8 (1989): 168-85.
Rudnytsky, Peter L. “Goodbye, Columbus: Roth’s Portrait of the Narcissist as a Young Man.” Twentieth-Century Literature 51.1 (2005): 25-42.
—. “True Confessions in Operation Shylock.” Philip Roth Studies 3 (2007): 26-43.
Rugoff, Kathy. “Humor and the Muse in Philip Roth’s The Ghost Writer.” Studies in American Humor ns 4 (1985-86): 242-48.
Sabiston, Elizabeth. “A New Fabel for Critics: Philip Roth’s The Breast.” International Fiction Review 2 (1975): 27-34.
Safer, Elaine B. ”Alienation and Black Humor in Philip Roth’s Exit Ghost.” Studies in American Jewish Literature 29 (2010): 139-47.
—. ”The Double, Comic Irony, and Postmodernism in Philip Roth’s Operation Shylock.” MELUS 21:4 (1996): 157-172. Rpt. in Bloom, Philip Roth (2003) 101-117.
—. “The Naiveté of Malamud’s Calvin Cohen and Roth’s Seymour “Swede” Levov; Comic, Ironic, or Tragic?” Philip Roth Studies 4 (2008): 75-85.
—. ”Philip Roth’s The Humbling: Loneliness and Mortality in the Later Work.” Studies in American Jewish Literature 30 (2011): 40-46.
—. “Tragedy and Farce in Roth’s The Human Stain.” Critique 43 (2002): 211-27. Rpt. in Bloom, Philip Roth (2003) 239-58.
Salzberg, Joel. “Imagining the Perverse: Bernard Malamud’s The Fixer and Philip Roth’s The Plot Against America.” Philip Roth Studies 4 (2008): 19-27.
Samuel-Tenenholtz, Bela-Ruth. “Exploring the Vault: Jewish Ethnicity and Memory in Philip Roth’s The Ghostwriter [sic.].” Tumult Yearly [Hebrew, shnaton shaon] 60 (2004): E7-E26. <http://www.shaanan.ac.il/shnaton/9/20.pdf>.
Sánchez Canales, Gustavo. “The Classical World and Modern Academia in Philip Roth’s The Human Stain.” Philip Roth Studies 5.1 (2009): 111-28.
—. “Interrelations between Literature and Life: Literary Mentors in Philip Roth’s The Professor of Desire” The Icfai University Journal of American Literature 3.1-2 (2010): 68-79.
Saposnik, Irving S. “Bellow, Malamud, Roth . . . and Styron? Or One Jewish Writer’s Response.” Judaism 31 (1982): 322-32.
Scanlan, Margaret. ”Domestic Terror: 1970s Radicalism in Philip Roth’s An [sic] American Pastoral and Susan Choi’s An American Woman.” Journal of European Studies 40.3 (2010): 258-71.
—. ”Strange Times to Be a Jew: Alternative History after 9/11.” Modern Fiction Studies 57.3 (2011): 505-31.
Scheckner, Peter. “Roth’s Falstaff: Transgressive Humor in Sabbath’s Theater.” The Midwest Quarterly 46.3 (2005): 220-35 .
Scherr, Arthur. “Mistaken Identities: The Uses of Matthew Henson and Charles Drew in Philip Roth’s The Human Stain.” Philip Roth Studies 3 (2007): 83-100.
Schiavone, Michele. “The Presence of John R. Tunis’ The Kid from Tomkinville in Malamud’s The Natural and Roth’s American Pastoral.” Aethlon 21.1 (2004): 79-85.
Schiff, Sarah Eden. “Family Systems Theory as Literary Analysis: The Case of Philip Roth.” Philip Roth Studies 2 (2006): 25-46.
Schneiderman, Leo. “Philip Roth: The Exploration of the Self and the Writing of Fiction.” Imagination, Cognition and Personality 11 (1991-92): 317-329.
Schreier, Benjamin. ”The Failure of Identity: Toward a New Literary History of Philip Roth’s Unrecognizable Jew.” Jewish Social Studies 17.2 (2011): 101–35.
Schur, Richard. “Dream or Nightmare? Roth, Morrison, and America.” Philip Roth Studies 1 (2005): 19-36.
Schwartz, Jonathan. “High School Classmates Revisited: Sherry Ortner and Philip Roth.” Anthropology Today 14.6 (1998): 15-16.
Schwartz, Larry. ”Erasing Race in Philip Roth’s The Human Stain.” Philip Roth Studies 7.1 (2011): 65-81.
—. ”Philip Roth’s I Married a Communist: Re-thinking the Cold War.” Cultural Logic 7 (2004): 26 pars. 1 Aug. 2005 <http://eserver.org:16080/clogic/2004/schwartz.html>.
—. “Roth, Race, and Newark.” Cultural Logic 7 (2005): 26 pars. 1 Aug. 2005 <http://eserver.org:16080/clogic/2005/schwartz.html>.
Schweber, Matthew S. “Philip Roth’s Populist Nightmare.” Cross Currents 54.4 (2004): 125-37.
Searles, George J. “The Mouths of Babes: Childhood Epiphany in Roth’s ‘Conversion of the Jews’ and Updike’s ‘Pigeon Feathers.’” Studies in Short Fiction 24 (1987): 59-62.
—. “Philip Roth’s ‘Kafka’: A ‘Jeu-ish American’ Fiction of the First Order.” Yiddish 4:4 (1982): 5-11.
—. “Salinger Redux via Roth: An Echo of Franny and Zooey in My Life as a Man.” Notes on Contemporary Literature 16.2 (1986): 7.
Severs, Jeffrey. “‘Get Your Map of America’: Tempering Dystopia and Learning Topography in The Plot Against America.” Studies in American Fiction 35 (2007): 221-39.
Shaheen, Naseeb. “Binder Unbound, or, How Not to Convert the Jews.” Studies in Short Fiction 13 (1976): 376-78.
Shechner, Mark. “On the Road with Philip Roth.” New England Review 24.3 (2003): 89-96.
—. “Philip Roth.” Partisan Review 41 (1974): 410-27. Rpt. in Pinsker 117-32.
—. “Zuckerman’s Travels.” American Literary History 1 (1989): 219-30.
Shiffman, Dan. “The Plot Against America and History Post-9/11.” Philip Roth Studies 5.1 (2009): 61-73.
Shipe, Matthew. “Exit Ghost and the Politics of ‘Late Style.’” Philip Roth Studies 5.2 (2009): 189-204.
Shostak, Debra. “The Diaspora Jew and the ‘Instinct for Impersonation’: Philip Roth’s Operation Shylock.” Contemporary Literature 38 (1997): 726-54.
—. “Philip Roth’s Fictions of Self-Exposure.” Shofar 19 (2000): 19-39. Rpt. in Halio and Siegel 31-57.
—. “Return to the Breast: The Body, the Masculine Subject, and Philip Roth.” Twentieth-Century Literature 45 (1999): 317-35.
—. “Roth/Counter Roth: Postmodernism, the Masculine Subject, and Sabbath’s Theater .” Arizona Quarterly 54 (1998): 119-42.
—. “‘This Obsessive Reinvention of the Real’: Speculative Narrative in Philip Roth’s The Counterlife.” Modern Fiction Studies 37 (1991): 197-215.
Shrubb, Peter. “Portnography.” Quadrant 64 (1970): 16-24.
Siegel, Ben. “The Myths of Summer: Philip Roth’s The Great American Novel.” Contemporary Literature 17 (1976): 171-90. Rpt. in Siegel and Halio 133-51.
—. “The Novelist as Narcissus: Philip Roth’s My Life as a Man.” Descant 24.1-2 (1979): 61-79.
Sigrist-Sutton, Clare. ”Mistaking Merry: Tearing off the Veil in American Pastoral.” Philip Roth Studies 6.1 (2010): 47-68.
Simon, Elliott M. “Philip Roth’s ‘Eli, the Fanatic’: The Color of Blackness.” Yiddish 7:4 (1990): 39-48.
Singh, Lovelina. “Far from the Covenant: Philip Roth’s Problematic Hero.” Panjab University Research Bulletin 20 (1989): 19-23.
—. “Multiple Versions of Jewishness: An Analysis of Philip Roth’s The Counterlife.” The Literary Criterion 41.1 (2006): 45-54.
—. “The Sexual Kvetch of Philip Roth’s Protagonists in Portnoy’s Complaint, My Life as a Man, and The Professor of Desire.” Panjab University Research Bulletin 16 (1985): 17-24.
Slivka, Jennifer A. “History and the ‘I’ Trapped in the Middle: Negotiating the Past in Roth’s The Ghost Writer and The Plot Against America.” Philip Roth Studies 8.2 (2012): 127-44.
Sojka, Gregory S. “From Roth to Gaedel to Reiser: Factual Analogues for Fictional Characters.” Notes on Comtemporary Literature 7:3 (1977): 3-4.
Sokoloff, Naomi. “Imagining Israel in American Jewish Fiction: Anne Roiphe’s Lovingkindness and Philip Roth’s The Counterlife.” Studies in American Jewish Literature 10 (1991): 65-80.
—. “Reading for the Plot? Philip Roth’s The Plot Against America.” AJS Review 30.2 (2006): 305-12.
Solotaroff, Theodore. “The Journey of Philip Roth.” Atlantic April 1969: 64-72. Rpt. as ”Philip Roth: A Personal View” in The Red Hot Vacuum. New York: Antheneum, 1970 306-28; Pinkser 133-48; Bloom, Philip Roth (1986) 35-51; and Bloom, Philip Roth (2003) 23-39.
—. “Philip Roth and the Jewish Moralists.” Chicago Review 13 (1959): 87-99.
Spargo, R. Clifton. “How Telling: Irving Howe, Roth’s Early Career, and the Dialectic of Impersonation in The Anatomy Lesson.” Philip Roth Studies 5.2 (2009): 251-79.
—. “To Invent as Presumptuously as Real Life: Parody and the Cultural Memory of Anne Frank in Roth’s The Ghost Writer.” Representations 76 (2001): 88-119.
Spinks, Lee. “Thinking the Post-Human: Literature, Affect and the Politics of Style.” Textual Practices 15.1 (2001): 23-46.
Stanley, Sandra Kumamoto. “Mourning the ‘Greatest Generation’: Myth and History in Philip Roth’s American Pastoral. Twentieth-Century Literature 51.1 (2005): 1-24.
Stavans, Ilan. “The Plagiarist.” Philip Roth Studies 5.2 (2009): 163-64. Rpt. of “Philip Roth’s New Novel About Philip Roth.” Jewish Daily Forward 13 Mar. 2009.
Steed, J. P. “The Subversion of the Jews: Post-World War II Anxiety, Humor, and Identity in Woody Allen and Philip Roth.” Philip Roth Studies 1 (2005): 145-62.
Steinberg, Gillian. “Philip Roth’s ‘Defender of the Faith’: A Modern Midrash.” Philip Roth Studies 1 (2005): 7-18.
Stinson, John J. “‘I Declare War’: A New Street Game and New Grim Realities in Roth’s The Plot Against America.” ANQ 22.1 (2009): 42-48.
Stolzenberg, Nomi Maya. “Liberals and Libertines: The Marriage Question in the Liberal Political Imagination.” San Diego Law Review 42 (2005): 949-73.
Stout, Janis P. “The Misogyny of Roth’s The Great American Novel.” Ball State University Forum 27:1 (1986): 72-75.
Stow, Simon. “Written and Unwritten America: Roth on Reading, Politics, and Theory.” Studies in American Jewish Literature 23 (2004): 77-87.
Strong, Paul. “Firing into the Dark: Sexual Warfare in Portnoy’s Complaint.” International Fiction Review 10 (1983): 41-43.
Sundquist, Eric J. “Philip Roth’s Holocaust.” Hopkins Review 5.2 (2012): 226-56.
Tabayashi, Yo. “Philip Roth and Therapeutic Narratives: A Reading of The Facts and Patrimony.” Studies in English Literature 28 (1991): 323-37.
Tanenbaum, Laura. “Reading Roth’s Sixties.” Studies in American Jewish Literature 23 (2004): 41-54.
Tenenbaum, David. “Race, Class, and Shame in the Fiction of Philip Roth.” Shofar 24 (2006): 34-49.
Theoharis, Theoharis C. “‘For with God All Things Are Possible’: Philip Roth’s ‘The Conversion of the Jews.’” Journal of the Short Story in English 32 (1999): 69-75.
Tierney, William G. “Interpreting Academic Identities: Reality and Fiction on Campus.” Journal of Higher Education 73 (2002): 161-73.
Tindall, Samuel J. “‘Flinging a Shot Put’ in Philip Roth’s ‘Goodbye, Columbus.’” ANQ 2 (1989): 58-60.
Tintner, Adeline R. “Adventures in Life and Fiction.” Midstream June-July 1987: 55-56.
—. “Henry James as Roth’s Ghost Writer.” Midstream Mar. 1981: 48-51.
—. “Hiding behind James: Roth’s Zuckerman Unbound.” Midstream April 1982: 49-53.
—. “Philip Roth: Henry James’s Continuing Influence.” Midstream 44.4 (1998): 36-37.
—. “The Prague Orgy: Roth Still Bound to Henry James.” Midstream Dec. 1985: 49-51.
—. “Roth’s ‘Pain’ and James’s ‘Obscure Hurt.’” Midstream Mar. 1985: 58-60.
Tippens, Darryl. “The Shechinah Theme in Roth’s ‘Conversion of the Jews.” Christianity and Literature 35 (1986): 13-20.
Torres, Sonia. “Meaningful Acts: Terrorists, Artists, and States.” Peace & Change 31 (2006): 204-21.
Toth, Tibor. “‘And the Pool Was Filled (Again) with Water out of Sunshine.’” AnaChronist 19-21 (1997): 113-31.
Trachtenberg, Stanley. ”The Hero in Stasis.” Critique 7 (1964-1965): 5-17. Rpt. in Bloom, Philip Roth (1986) 13-18.
—. ”In the Egosphere: Philip Roth’s Anti-Bildungsroman.” Papers on Language and Literature 25 (1989): 326-41.
Trendel, Aristie. “Master and Pupil in Philip Roth’s The Dying Animal.” Philip Roth Studies 3 (2007): 56-65.
Tucker, Cynthia G. “The Teacher’s Problems of Obscenity and Race: Killing Two Birds with One Stone.” Interpretations 4 (1972): 40-51.
Vanderbilt, Kermit. “Writers of the Troubled Sixties.” Nation 17 Dec. 1973: 661-65.
Varvogli, Aliki. “The Inscription of Terrorism: Philip Roth’s American Pastoral.” Philip Roth Studies 3 (2007): 101-13.
Veisland, Jorgen. “The Stain and the Sign: Poetics in Philip Roth’s The Human Stain.” Sudia Anglica Posnaniensia: International Review of English Studies 44 (2008): 475-89.
Vials, Christopher. ”What Can Happen Here?: Philip Roth, Sinclair Lewis, and the Lessons of Fascism in the American Liberal Imagination.” Philip Roth Studies 7.1 (2011): 9-26.
Walden, Daniel. “Bellow, Malamud, and Roth: Part of the Continuum.” Studies in American Jewish Literature 5.2 (1979): 5-7.
—. “Goodbye Columbus, Hello Portnoy and Beyond: The Ordeal of Philip Roth.” Studies in American Jewish Literature 3.2 (1977-78): 3-13.
—. “The Odyssey of a Writer: Rethinking Philip Roth.” Studies in American Jewish Literature 8 (1989): 133-36.
Waldinger, Albert. “Moods of Panurge: Translating Rabelais through Tom Robbins and Philip Roth.” Babel 45 (1999): 244-67.
Walker, Joseph S. “A Kink in the System: Terrorism and the Comic Mystery Novel.” Studies in the Novel 36.3 (2004): 336-51.
Wallace, James D. “‘This Nation of Narrators’: Transgression, Revenge and Desire in Zuckerman Bound.” Modern Language Studies 21 (1991): 17-34.
Waniek, Marilyn Nelson. “The Schizoid Implied Authors of Two Jewish-American Novels.” MELUS 7.1 (1980): 21-39.
Waxman, Barbara Frey. “Jewish American Princesses, Their Mothers, and Feminist Psychology: A Rereading of Roth’s ‘Goodbye, Columbus.’” Studies in American Jewish Literature 7 (1988): 90-104.
Weber, Myles. “Whose War Is This?” New England Review 27.4 (2006): 206-11.
Weinberg, Helen A. “Reading Himself and Others.” Studies in American Jewish Literature 3.2 (1977-78): 19-27.
Weinberger, Theodore. “Philip Roth, Franz Kafka, and Jewish Writing.” Literature and Theology 7 (1993): 248-58.
White, Robert L. “The English Instructor as Hero: Two Novels by Roth and Malamud.” Forum 4 (1963): 16-22
Whitfield, Stephen J. “Comic Echoes of Kafka.” American Humor 9 (1982): 1-5.
—. “Laughter in the Dark: Notes on American-Jewish Humor.” Midstream Feb. (1978): 48-58. Rpt. in Pinsker 194-208.
Wilson, Matthew. “Fathers and Sons in History: Philip Roth’s The Counterlife.” Prooftexts 11 (1991): 41-56.
—. “The Ghost Writer: Kafka, Het Achterhuis, and History.” Studies in American Jewish Literature 10 (1991): 44-53.
—. “Reading The Human Stain through Charles W. Chesnutt: The Genre of the Passing Novel.” Philip Roth Studies 2 (2006): 138-50.
Willson, Robert F., Jr. “An Indisputable Source for the Spirited Account of a Baseball Contest between the Port Ruppert Mundys and the Asylum Lunatics in The Great American Novel by Mr. Philip Roth.” Notes on Contemporary Literature 5.3 (1975): 12-14.
Wirth-Nesher, Hana. “The Artist Tales of Philip Roth.” Prooftexts 3 (1983): 263-72.
—. “Facing the Fictions: Henry Roth’s and Philip Roth’s Meta-Memoirs.” Prooftexts 18 (1998): 259-75.
—. “Resisting Allegory; or, Reading ‘Eli, the Fanatic’ in Tel Aviv.” Prooftexts 21 (2001): 103-12.
Wisse, Ruth R. “Philip Roth Then and Now.” Commentary 72.3 (1981): 56-60.
Workman, Mark E. “The Serious Consequences of Ethnic Humor in Portnoy’s Complaint.” Midwest Folklore 13.7 (1987): 16-26.
Wyatt, David. “September 11 and Postmodern Memory.” Arizona Quarterly 65.4 (2009): 139-61.
Zakim, Eric. “The Cut That Binds: Philip Roth and Jewish Marginality.” Qui Parle 3.2 (1989): 19-40.
Zierler, Wendy. “The Making and Re-making of Jewish-American Literary History.” Shofar 27.2 (2009): 69-101.
Ziewacz, Lawrence E. “Holden Caulfield, Alex Portnoy, and Good Will Hunting: Coming of Age in American Films and Novels.” Journal of Popular Culture 35.1 (2001): 211-18.
Zucker, David. “The Breath of the Dummy: Philip Roth’s Nathan Zuckerman Trilogies.” Studies in American Jewish Literature 22 (2003): 129-44.
Zucker, David J. “Philip Roth: Desire and Death.” Studies in American Jewish Literature 23 (2004): 135-44.
—. “Roth, Rushdie, and Rage: Religious Reactions to Portnoy and The Verses. Journal of Ecumenical Studies 43 (2008): 31-44.
